which could be read, as a photograph, within the same context as the previous images. The similarities are striking, with the same melancholic and tragic reading of some kind of victim, with the obvious religious connotations.On reading the act of performance, Chris Burden takes masochism one step further by having the 'participant' (or accomplice) nail him to the roof of the car....
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Howdy
This one for me has links to the Francesca Woodman image. It's as if they've given themselves over to their art and laid their souls bear. Perhaps their soul is their art? A kind of, here I am - this is what there is. A sense of melancholy - the tragedy of life.
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