Carl von Weiler (x3 or more), 1998, hanging upside down like a bat in a low dark space. Whilst we can merely observe the image of an installation piece, we sense that this duplication of a haunting and repressive space, mediated by television and again in the gallery space itself, amounts to further curatorial layers whilst we observe it through the density of a computer screen. Tell me, is he really upside down?
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